Benefit for Pace Women's Justice Center:

Pace Women's Justice Center's 2025 Raising the Bar Benefit Concert, featuring Colbie Caillat and Shawn Colvin, will support our FREE legal services for victims of domestic violence, sexual assault, and elder abuse.  To learn more about the event and sponsorship opportunities, visit: https://www.pwjcraisingthebar.com/

About the Pace Women's Justice Center:
The Pace Women’s Justice Center (PWJC) provides free civil legal services to over 3,500 survivors of domestic violence, sexual assault, and elder abuse each year. Our multilingual legal support helps clients understand their rights, navigate the legal system, and break the cycle of abuse—especially those from low-income and marginalized communities.

We offer direct representation in cases involving orders of protection, divorce, spousal support, child custody, visitation, and support. We also work closely with community partners to connect clients to additional resources such as shelter, housing, counseling, and more. Beyond legal services, PWJC leads and participates in more than 140 training and outreach programs annually to raise awareness and engage professionals and the public in the fight to end interpersonal violence.

Located in Westchester County and serving clients throughout New York, PWJC is a self-funded nonprofit legal center under the 501(c)(3) status of Pace University. With more than 33 years of experience, and a dedicated team of attorneys, professional staff, volunteers, and law students, PWJC has built an effective, coordinated community response to interpersonal violence.

Our Mission: To pursue justice for victims and survivors of abuse, through quality free legal services, community partnerships, education and awareness, service coordination, and referrals.

Colbie Calliat:
The finger picking, the warm voice, the bright melodies. Colbie Caillat’s been a friend people can come home to since bursting onto the music scene with Coco in 2007. Millions of albums and singles sold, over 15 billion streams, two Grammys won, a #1 Billboard Top 200 Albums debut for her sophomore album Breakthrough, buoyant hits like “Realize,” “Bubbly” and “Lucky,” the #1 duet with Jason Mraz, albums Gypsy Heart, All of You, the stripped back Malibu Sessions, as well as Gone West, her roots/country group, made her a voice of joy and finding one’s place in the world. And then…

Sometimes the real world upends one’s plans. What you think is forever, you realize might not be. But somehow, like everything else in the good-hearted, honey-voiced songwriter’s charmed life, even the upsets seem to provide lessons and new ways of accessing hope and grace.

“My core self, I think, it’s where I’m from, the family I was raised with, the music,” explains the fresh-faced songwriter of her deepest self. “Fleetwood Mac, acoustic rock, all those good songs. It’s pure sunshine.”

“As positive and optimistic as I am, I have hard days and feel hopeless. When you go through things, you feel it. When you’re happy, embrace it. When it’s bad, know it’s temporary.” Smiling as she says this, there’s not one speck of stoic to her words. Having seen the end of her recent engagement, as well as coming into her own subsequent romantic entanglements, Caillat refused to surrender her belief that life’s good.

“My previous partner taught me the importance of the famous quote ‘This too shall pass.’ He told me, ‘When you’re happy, enjoy it completely – because it may not last. When you’re sad, know it won’t last either and that should give you some relief.’ And he’s right.” “What I have gathered through my experience with love is that there is no shame in it. To love with your entire being knowing it could end is still worth the possible hurt because it helps us gain so much for our personal growth. Whether it’s wisdom, gratitude, or empathy, love can guide us to a more peaceful place within ourselves. And you’re helping someone else grow at the same time.”

Along The Way, Caillat’s solo country debut, embodies that positivity in heartbreak’s wake. Though her move to Nashville was done as one-half of a romantic partnership - a personal and professional adventure to the southern city for this west coast girl - she thrived in all of life’s changes. In her musical journey and experimentation with new sounds, Caillat vividly captured a moment in her life through song.

The California-raised, Nashville-based girl delivered songs with gratitude for having known this love, learned so many lessons and the joys shared along the way. “The love that you shared shouldn’t be wasted: you help each other grow and become a wiser and more evolved person. We needed to be together to become who we are today, even if we didn’t end up together.”

If Joni Mitchell’s quintessential Blue is the deep dive into the caverns of grief following a break-up, Along The Way is a bright, shiny compass Caillat offers to guide people through the tough times and raw feelings that accompany any dissolution. Lover, leaver, left, the woman who’s sung at the Nobel Peace Prize Concert wants to sow compassion for all parties involved. “Sometimes you need a change, – and although you know it’s necessary, it comes with guilt and sometimes pain. Life makes sure you experience all sides to every emotion. I left someone, then someone left me. Both feel awful, like you’re abandoning someone, and someone is abandoning you. But in reality, neither are the case...”

Where many people would sink into karmic defaults or dark emotions, Caillat reached for her guitar. Some of these songs even tumbled out in the same tunings as “Bubbly”, lush and buoyant. The shimmering mid-tempo “Wide Open” embraces love on its terms, while knowing forever isn’t a given. She filets the reality of hanging in there with someone who’s good, but the forever’s gone on the fiddle’n’Telecaster-shaped “Pretend.” And she surrenders to wanting what’s gone on the rippling piano lament with “Blue.” To say the ultimate free spirit has grown up may be over-reaching. While she exploded as the biggest artist on MySpace with her Topanga Canyon songs, she was a wise innocent. While building on her groundbreaking career, Caillat naturally transitioned into Gone West, breezy melody group whose myriad influences landed somewhere between Laurel Canyon, Texas roadhouses, Appalachia’s harmony, and the plains of the Midwest.​ Now she’s a grown woman in full possession of her wonder - which means she can understand and still live with the unknowing, the falter and figuring it out. Living and working in Music City now for over six years, she has discovered a fresh songwriter inside herself who is ready to share her new perspectives.

The slithering “Buying Time” is the inertia of maintaining what’s ultimately over, professing “the letting go gets harder babe, the longer that we wait...,” while the organ clouds that rise up and the gospel chorus on the affirming confession “Worth It” realizes how powerful what didn’t work was. As she marvels, “There’s the going back and forth of holding onto the good parts, where you ask, ‘If this isn’t bad, why would we end it?’ But there’s also that idea that if it’s going to fall apart, why force it to hold together? And that’s what ‘Buying Time’ is, something that borrows some of that ‘Slow Dancing in a Burning Room’ feeling.” “Then ‘Worth It,’ when AJ and I added those harmonies, it just opened up and it took on this feeling. It was so optimistic and loving, which is exactly what I wanted it to express. There’s that line: ‘it wasn’t just me I did it for...’ because I wanted my ex to be with his best person, too.”

7X chart-topping songwriter AJ Pruis (“AJ”) and Hall-of-Fame, GRAMMY-winning songwriter Liz Rose were frequent collaborators of Caillat for this new project. The trio dug deep to tell Caillat’s story through her current musical lens – nearly a decade of living, writing, and performing in Nashville. She organically gravitated to a country record though fans may not notice a big difference as her songwriting has always lent itself to the genre. Magnanimous to a fault, Caillat puts her songs where her truth is. “For Someone,” with its sinewy guitar twists and Hammond B-3 parts, addresses the way people make their former partners better for the next person their ex falls for. “One of my friends was over a year and a half ago, and we in the jacuzzi talking about the guys we’d put in all this effort with, and now they’re with someone else. They were kind of a better version for someone else, and we hoped someone was doing that with someone else for us.”

Pass it on. The momentum of creating love and helping someone grow. Recognizing how far people can come, knowing that we don’t always see the ultimate ending is an acceptance that you can’t see in the moment. “Two Birds” expresses that love isn’t about possessing another, but letting them be, even as “Still Gonna Miss You” owns that for all that’s wrong, it doesn’t negate what you loved. Even the campfire folk picking of “I’ll Be Here,” originally recorded as “Never Gonna Let You Down” on Gypsy Heart, suggests what love can be. “I wrote that years ago about the ones you love being a safe space. I have been lucky enough to find that safe space with my family, friends, and those who I've loved for a period of time. Love doesn’t stop. You want people to know they’re never alone, and you’ll be there for them when they need you.” When she speaks, it sounds so easy. In a world that rises up and crashes down, Caillat almost makes heartbreak seem easily weathered. She allows, “I actually think this is ultimately a sad record. My parents actually asked, ‘Honey, do you think you want to write some happier songs?’

But these songs are all important perspectives of the ebbs and flows of relationships. I’m only just recently at a place where I feel ready to release them, to help heal people going through the same experiences that I did. That’s what I love about music and songwriting, it connects us and helps us realize we aren’t alone in what we go through in life.” “Be grateful for good days and remind yourself to be grateful for the other days when you learn things. Happiness is a choice; sometimes we need to stop ourselves from running with those dark thoughts.” She pauses, measuring the margins and the growth she’s experienced. Recognizing expressing the truth gives people permission to feel their own feelings, her self-awareness shines through. “Sometimes when I listen to my old songs, I feel so young, that inexperienced happy-go-lucky person, this person the world met. But when I’m in that fresh dating mode, I realize she’s still there.”

“When you meet someone with a teeny spark or a huge spark, it’s starting all over again. That’s the truth: I’m absolutely excited for love and the hope that comes with it. I’ve loved a couple times, had a bunch of sparks, I’ve broken hearts and my hearts been broken too. Now I’m trying to live in a headspace where I’m OK with what is, what is meant for me, not forcing anything, and it’s a pretty sweet space to live.”

Shawn Colvin:
Extraordinary songs, mesmerizing guitar playing, and a voice that goes effortlessly from bruise-tender to scar-hard in a matter of minutes… her lyrics are crafted and clever, full of subtlety and polished phrases…With delicious sarcasm and acerbic stories, she held the audience spellbound… her songs are so personal to her that they speak to everyone who listens." – The Guardian

Shawn Colvin stopped the industry in its tracks with her arresting 1989 debut, Steady On. The following spring, Colvin took home the GRAMMY Award for Best Contemporary Folk Album, establishing herself as a mainstay in the singer-songwriter genre. In the ensuing 30 years, Colvin has won three GRAMMY Awards, released thirteen superlative albums, written a critically acclaimed memoir, maintained a non-stop national and international touring schedule, appeared on countless television and radio programs, had her songs featured in major motion pictures and created a remarkable canon of work.

Colvin triumphed at the 1998 GRAMMY Awards, winning both Record and Song of the Year for the Top 10 hit "Sunny Came Home," from the platinum-selling album A Few Small Repairs. Her inspiring and candid memoir, Diamond In The Rough, was published in by Harper Collins in 2012. Diamond In The Rough looks back over Colvin's rich lifetime of highs and lows with stunning insight and candor. Through its pages we witness the story of a woman honing her artistry, finding her voice, and making herself whole.

Shawn Colvin was recognized for her career accomplishments when she was honored with the 2016 Lifetime Achievement Trailblazer Award by the Americana Music Association. Presenting her with this prestigious award was Bonnie Raitt. Said Raitt, "She's simply one of the best singers I've ever heard — and a truly gifted and deep songwriter and guitarist… She was groundbreaking when she emerged and continues to inspire me and the legions of fans and other singer/songwriters coming up in her wake."

In September 2019, to commemorate the 30th anniversary of Steady On, Colvin released a newly-recorded version of her landmark debut. Colvin crafts a truly mesmerizing reinvention, performing the album with just her voice and guitar. The Steady On 30th Anniversary Acoustic Edition strips each song to the core, placing Colvin's songwriting masterclass on full display. "I've played these songs countless times, primarily as a solo acoustic artist," she says. "all in all, this is the incarnation that feels most genuine. This represents who I am as an artist and all I ever wanted to be, and I believe it does its predecessor proud."

Colvin was recently honored with an induction into the 2019 Austin City Limits Hall of Fame, alongside legendary artists Lyle Lovett and Buddy Guy. In a moving induction speech, Jackson Browne praised her as "ineffable" — 'that which is impossible to express in words' — and extolled, "Not many writers are able to do what Shawn does. It's a very special way of relating what really matters. It takes an original to get our attention. Shawn is utterly original in her singing, and original in what she speaks about in her songs."

Over the course of three decades, Shawn Colvin has established herself as a captivating performer and a revered storyteller, well-deserving of the commendation of her peers and the devoted audiences who have been inspired by her artistry. And as she enters her third decade as a songwriter and performer, she continues to reaffirm her status as a vital voice in music.