Matisyahu:
Creativity is like a fire in a fireplace: You have to tend it or it will go out. For nearly two decades, Matisyahu has kept his creative spirit aflame by evolving his sound, melding genres, and testing the limits of the musical traditions that have inspired him. His latest release, Hold The Fire, and its leadoff single “Fireproof” takes inspiration from a fire dream inspired by Matisyahu's Old Testament religion, which has meant so much to his spiritual and creative life since his recording career began in 2004 and his breakout track "King Without a Crown" blasted into the Billboard charts in 2005. In a roundabout way, those same Old Testament roots springboarded Matisyahu's music career. Growing up outside New York City, the young Matthew Miller followed jam bands like Phish and the Grateful Dead. Then, in Bob Marley and reggae, he found that the messaging of Rastafarianism was sourced in part from that same Old Testament. The sound that emerged on his first albums—including his first two studio releases as well as 2005's Gold-certified Live at Stubb's—embraced both the spirit of reggae and his spirituality and roots in Judaism. Buoyed by hits like "King Without a Crown," albums like the Grammy-nominated and Billboard No.1-ranked Youth in 2006, and the Gold-certified 2009 antiwar hit "One Day" (streamed over 150 million times on Spotify alone), he toured extensively through the second half of the aughts with a high-energy stage show that has since grown to include more improvisation. All the while his music expanded into a shapeshifting collision of reggae, hip-hop, alt rock and boldly inventive pop. Today, he continues to be inspired by evolving musical trends, finding linkages and loops between eras and genres. Matisyahu's spirituality has evolved in parallel with his music, though his Jewish heritage remains a central theme throughout his life and music. The new EP, Hold The Fire (out February 2024), also finds him reflecting on celebrity and artistic success. For Matisyahu, “the unbelievable and miraculous feeling of being connected to our people” is what keeps the creative fire alight.

TAUK:
TAUK has been painting with sound for nearly a decade now, pushing boundaries and reinventing themselves every chance they get. Founded by Dolan, Jalbert, and Carter, who began playing together as middle schoolers on Long Island, the band landed on its present incarnation in 2012, when college pal Teel joined full time. Since then, the quartet has gone on to tour with the likes of Umphrey’s McGee, Widespread Panic, and Lettuce, landed festival slots everywhere from Bonnaroo to Electric Forest, racked up millions of streams across platforms, and garnered extensive critical praise with a series of widely lauded studio and live albums. The Washington Post hailed the band’s music as “a hard-charging, often melodic fusion that—thanks to a penchant for improv—offers limitless possibilities,” while Keyboard Magazine declared that their sound “doesn’t adhere to a single genre but, instead, creates its own,” and Relix dubbed them “an incredibly impressive ensemble of talent.”