• 149 WESTCHESTER AVENUE, PORT CHESTER, NY 10573-4549 · (914) 937-4126

  • The Disco Biscuits

    The Disco Biscuits

    Soule Monde

    Thu, January 31, 2019

    Doors: 7:00 pm / Show: 8:00 pm

    The Capitol Theatre

    Port Chester, NY

    $45/$67.50 (ADVANCE) $50/$72.50 (DAY OF SHOW)

    This event is 18 and over

    This event will have a general admission standing room only floor and a reserved seated Loge and Balcony.  Reserved Loge and Balcony tickets will NOT have access to the general admission floor.

     

    18 & over unless accompanied by a parent or legal guardian.

    The Disco Biscuits
    The Disco Biscuits
    Uniting elements of electronic dance music with more traditional forms of American rock, the Disco Biscuits have long established themselves as one of the most exciting - and influential - touring bands in the country. In the late 90s, the band pioneered a unique style of music, often referred to as "trance-fusion," that distinguished them from their peers, while heavily influencing an entire generation of younger "livetronica" acts.

    It's now been more than 10 years since guitarist Jon Gutwillig, bassist Marc Brownstein, keyboardist Aron Magner, and original drummer Sam Altman first formed the Disco Biscuits from within the ivy walls of the University of Pennsylvania. Since then (and with Allen Aucoin now on drums, following his victory at a Bisco firing squad drum-off at Atlantic City's Borgata Casino in 2005), the band has repeatedly sold out many of the nation's most prestigious venues and are a proven draw at U.S. festivals, earning key slots at majors such as Bonnaroo and Lollapalooza. Along the way, they've accumulated cover stories (Relix Magazine), accolades (Jammy Award for "Jam of the Year"), and hit videos ("Caterpillar;" MTV Latin America).

    The Disco Biscuits' live show has developed from a regional nightclub attraction to a full on American experience. As Brownstein explains, "There's this deep, fun-loving community built around the band that's a decade old and which extends throughout the entire country. When we go anywhere, there's something else going on that's not just about the band and the music, but it's a part of a greater experience."

    Standard rock concerts have become formulaic showcases where bands support their latest album by performing new songs amidst a selection of greatest hits. The Disco Biscuits, on the other hand, use their shows to create an entirely new album every night, in front of a live audience. Gutwillig equates it to watching a painter craft an image from scratch, using just a palette and a muse. "It's unlike buying the art, where it's already painted," he says. "It's watching the paint getting thrown on the canvas in a frenzy. And we're doing it with dance beats and we're doing it with grooves and we're trying to make it as exciting as possible. It's almost like getting cars into a field with cameras and just shooting a high-speed chase right there on the spot. What we're trying to do, for the observer, is to make the most awesome, exciting, high-speed chase that they could possibly watch. And we're trying to do it in a way that makes everyone feel like they went there, they lived it, and they felt it deep inside. That's our goal."
    Soule Monde
    Soule Monde is instrumental, organ-driven funk in its purest form. Erupting from the syncopated minds of power-drummer Russ Lawton and organ-wizard Ray Paczkowski, the duo take soul-jazz back to the deep end. Forged off a sound that originated with Booker T. and Jimmy Smith, yet highly influenced by the redeveloped grooves crafted by Medeski, Martin & Wood and The Beastie Boys, Soule Monde is the ideal union of swagger and raw talent. Over a decade of touring together as members of The Trey Anastasio Band has fervently cemented these two into an indestructible pocket, and bold improvisational leaps by either player are met by near-telepathic response from the other. These strut-worthy rhythms are further accentuated by a passionate longing for melodic story arcs. So while their songs will make your ass shake like a Jello plate on the San Andreas Fault, they will also take you on a narrative journey of harmonic exploration.

    Paczkowski has an intrepid knowledge of the Hammond B3, playing it as fearlessly as Han Solo flies the Millennium Falcon through an asteroid field. Meanwhile, his left hand lays down bass lines on the clavinet with the ferocity of the meanest four-string, soul-cat. Lawton is constantly responding to his partner’s attacks – pushing the groove further and deeper, whilst still holding the pocket like he’s handcuffed to the snare. Don’t ever expect the beat to drop with Soule Monde, and at the same time don’t expect to get stuck in one groove. This is fluid funk, crafted for the dance floor but supported by an extensive grasp of jazz improvisation. Quite simply, this is the jazz-duo your parents warned you about.

    Russ Lawton has been a staple of the Vermont music scene for years. He’s collaborated with a vast array of VT acts, including Mike Gordon, The Grippo Funk Band, and Strangefolk, and has been touring and recording with T.A.B. since 1998. He’s credited with co-writing the Grammy-nominated song “First Tube” which appeared on Phish’s 2000 album, Farmhouse.

    Ray Paczkowski has been involved with a number of lauded acts over the years, first gaining recognition in the mid 90’s as a member of the legendary Vermont act, Viperhouse, and later on with his power trio, Vorcza. He toured and recorded with Dave Matthews & Friends for 3 years, and has been the keyboardist for T.A.B. since 2001.
    Venue Information:
    The Capitol Theatre
    149 Westchester Avenue
    Port Chester, NY, 10573
    http://thecapitoltheatre.com/