• 149 WESTCHESTER AVENUE, PORT CHESTER, NY 10573-4549 · (914) 937-4126

  • Anders Osborne

    Anders Osborne

    Jackie Greene, Assembly of Dust, Ghost of Paul Revere (At Doors/Between Sets)

    Sat, February 18, 2017

    Doors: 7:00 pm / Show: 8:00 pm

    The Capitol Theatre

    Port Chester, NY

    $25 // $35 (ADVANCE) $30 // $40 (DAY OF SHOW)

    This event is 18 and over

    This event will have a general admission standing room only floor and a reserved seated Loge and Balcony.  Reserved Loge and Balcony tickets will NOT have access to the general admission floor.

    Anders Osborne (Solo)
    Anders Osborne (Solo)
    The depth of one’s life is evident through their music. The more sorrow, laughter and adventure experienced, the more interesting curves and crevices are carved into an artist’s songs. The miles traveled leave rich lines in the verses that only time, misadventure, and hard-won wisdom can produce. Anders Osborne is a map of intensely felt, passionately engaged living, a fractured but healing topography of heartbreak and hope for fellow travelers to explore.


    Osborne’s music is redolent of the blues bathed in West Coast sunshine and brotherly compassion, a torchbearer for rock ‘n’ roll with blood in it’s veins and a heart in it’s hands. His long awaited new full length, Spacedust & Ocean Views, offers up graceful songwriting and signature guitar work on one of the strongest releases in his storied career. A strong sense of place runs through the album. From an evocation of geography to a questioning of one’s place in the universe, big ideas are condensed in thoughtful, smoothly swinging ways. It’s the album his fans have been waiting for- one that only he can deliver.
    “These twelve songs speak about places dear to me, places I feel something profound about, but there’s also the presence of the universe,” explains Osborne. “I think one of the main struggles we all face is the separation from unity. I want to understand how I can feel unified with the world and others, with the universe writ large. I can arrange the ideas intellectually but the feeling of longing remains. The whole thing is a mystery, sometimes a sad, baffling mystery and sometimes very enchanting, but overall I just don’t understand and want to desperately. That’s what this music is, an attempt to understand it all.”

    And what an attempt it is.

    Producer Mark Howard (Bob Dylan, Daniel Lanois, Iggy Pop) uses Osborne’s seasoned, searching voice like a river running through the song cycle. It’s a distinctly human element that continually tenderizes the listener as his sinewy, emotionally charged guitar dances with longtime bassist Carl Dufrene, guitar foil Scott Metzger (Joe Russo’s Almost Dead), and the shared drumming of Brady Blade and Tony Leone. New Orleans percussion master Johnny Vidacovich, bassist James Singleton, and pop-jazz legend Rickie Lee Jones join Osborne for the cosmically charged album closer “From Space.” On the other hand, Spacedust’s lead single “Lafayette” is a roots-fueled rocker- a track that finds Osborne simultaneously sticking to his guns and exploring new territory as an artist.


    This special collection of compositions is the culmination of years of writing and touring. “This is the last chapter before something new emerges. I’m wrapping some stuff up and figuring some fresh stuff out,” says Osborne, who’s been moving beyond his complicated past for close to a decade. “Now my life is about a human experience in a larger sense. Now, I feel I’m standing on my own two feet, trying to be a grown man doing the right thing.” In an ever changing musical landscape, Spacedust & Ocean Views firmly plants Anders Osborne as one of American music’s elite guitarists and songwriters.
    Jackie Greene
    Jackie Greene
    "We live in such a fast-paced, hectic environment, I wanted to make a record that would invite people to step back and take their time to listen," Jackie Greene says of Back to Birth, his first album in five years. "I wanted to make a record that would reward people who are willing to sit down and give it a couple of serious listens."

    Back to Birth - Greene's seventh album and his Yep Roc Records debut - is more than worthy of some serious attention. The 11-song set showcases the multitalented artist's uncanny knack for synthesizing his deep affinity for American roots styles into timeless, personally-charged music. Armed with a persuasive voice, a vivid songwriting skill and an instinctive mastery of several instruments, Greene has carved out a unique musical niche, and the album marks another creative landmark in his already compelling body of work.

    Produced by Los Lobos member and frequent Greene collaborator Steve Berlin, Back to Birth underlines Greene's remarkable evolution as a performer and writer. With such new compositions as "Silver Lining," "Trust Somebody," "Now I Can See For Miles," and the stirring title track, the artist's distinctive melodic sensibility is matched with thoughtful, introspective lyrics that confront some profound philosophical issues with plainspoken eloquence.

    "Musically, this album is kind of a return to the simplicity of the records that I started with, although I feel like I have a much better idea of what I'm doing now," Greene observes. "I think the lyrics are the part that have really evolved. A lot of these songs explore the notion of a cyclical existence, and the sense that life goes in a circle. I want the songs to come from a place that's meaningful to me, but I also want to keep them as simple and direct as I can. I look at old blues songs, or Hank Williams songs, and they're so simple and direct but they can convey some pretty deep ideas."

    Although Back to Birth is Greene's first new solo release in five years, he's hardly been idle. In fact, he's spent much of the past few years engaging in a series of collaborative musical adventures that have teamed him with several notable veterans.

    In 2013, Greene joined the reunited Black Crowes as lead guitarist on their worldwide tour, and the following year released the self-titled debut album of supergroup Trigger Hippy, which Greene is a member of along with Joan Osborne and Crowes drummer Steve Gorman. Greene continues to be a frequent member of Grateful Dead bassist Phil Lesh's touring ensemble Phil Lesh & Friends, for which he has contributed lead guitar and vocals since 2007. Greene also toured as part of WRG, an acoustic trio with the Grateful Dead's Bob Weir and Black Crowes frontman Chris Robinson, and he performed with Levon Helm as part of Helm's fabled Midnight Ramble shows.

    The same qualities that attracted such legendary figures to work with Greene are prominent throughout Back to Birth, which Greene and producer Berlin cut at Portland's Supernatural Sound with a sympathetic crew of mostly jazz-steeped players, with Greene stretching out on a number of instruments, including guitar, piano, organ and drums.

    "This is the third album I've done with Steve," he says. "I've known him for about 12 years, and he's really good at challenging me and getting it out of me. We know each other well enough at this point that we can be blunt with each other, and he'll tell me that I'm full of it if that's what I need to hear."

    The musical passion and creative integrity that drive Back to Birth have been constants in Jackie Greene's musical life from the start. While growing up in Northern California, he taught himself to play piano and guitar. His musical reference points shifted radically when, at the age of 14, he ran across a cache of his parents' vintage rock, country, blues and R&B LPs in the family's basement.

    Still in his teens and inspired by his discoveries, Greene began writing songs and performing them at a local coffeehouse while recording his compositions in his makeshift garage studio and burning CDRs to sell at his gigs. He saved the money he made selling those discs to fund his debut album, the self-produced, self-released Rusty Nails. Despite being a D.I.Y. release with minimal promotion, the disc received substantial regional attention from fans and press alike.

    His popularity led to a deal with a local independent label, which released his second album, Gone Wanderin', in late 2002. The disc won considerable national attention, leading to a series of national tours opening for the likes of B.B. King, Buddy Guy, Susan Tedeschi, Huey Lewis, Mark Knopfler and Taj Mahal.

    Greene continued to win critical acclaim and expand his fan base with 2004's Sweet Somewhere Bound and 2006's American Myth. In 2007, Greene began moonlighting with Phil Lesh and Friends, while continuing his own musical evolution with his own releases Giving Up the Ghost and Till the Light Comes, released in 2008 and 2010, respectively.

    "The musicians that I really admire and try to emulate are the ones who have the whole package: they're great songwriters, great singers and great instrumentalists, and they have a vibe about them that's real," he states, adding, "When I go to make a record, I'm not thinking about where I can fit in a bunch of guitar solos. I'm thinking, 'What does this song feel like? What's it saying?' So my goal, when writing a song or making a record, is to find the core of that emotional experience and convey that."

    Although he's already racked up a multitude of impressive musical achievements, Greene isn't one to look back. Instead, he continues to look to the future - and looks forward to getting back on the road to bring Back to Birth's soulful songcraft to the loyal, wildly diverse fan base that he's built through talent, vision and hard work.

    "I still plan on making a lot of different kinds of records in the future, but I can't tell you what they're going to sound like, because I really have no idea," he asserts. "All I can do is write songs and make music as honestly as I can. That's what I believe people appreciate about what I do. They trust me to be honest with them, and I'd never want to abuse that trust."
    Assembly of Dust
    Assembly of Dust
    Assembly of Dust's 2011 release Found Sound represents a "behind the curtain" look at a band that has garnered critical acclaim both for their studio albums and live performances. AOD's crew secretly recorded the band 2007 New Years Eve performance in order to capture totally inspired, unfiltered versions of their best material. While the album maintains the high standard of song craft and lyrical depth that Genauer and Co. are known for, it separates itself from past efforts with an energetic delivery that showcases improvisational musicianship; music's best kept secret may have just been found.
    Assembly of Dust's last album Some Assembly Required, fits nicely between Wilco, My Morning Jacket and Neil Young. It's a star studded and purposefully constructed album featuring the likes of Richie Havens, Bela Fleck and Grace Potter. Genauer calls it the bands piece de resistance. "Found Sound" he explains "came about in almost the complete opposite way"
    Genauer explains "Our front-of-house engineer, Jack Trifiro, recorded one of our shows without us knowing," says Genauer of Found Sound. "He managed to sneak a full, multi-tracked recording session past us without us knowing. " The group may have stumbled onto something unique in the music world – a defining moment that the band didn't even know it recorded.
    "When he revealed it to me years later it was like looking at a picture of the band taken with a spy cam" says Genauer. "Upon studying it, I found he had framed the shot well. No double chins." He laughs. "The sound quality is fantastic. He captured a diverse collection of songs and a great performance through a crisp lens."
    Then there's the guitar! While the entire band provides musical prowess, it's the guitar work that shines through most on Found Sound. Adam Terrell's solos rip through "Zero to the Skin" and "Borrowed Feat" (which one may proclaim "Stevie Ray Vaughn-ish"). "We have fantastic musicians in AOD – I don't think that's been as celebrated as my songwriting or lyrics," says Genauer. "I'd be remiss if I didn't point out Adam's talent. He's a soulful person and it comes out in his playing. I get goose bumps standing next to him on stage."
    With eight songs, Found Sound captures AOD's disparate moods and musical moments. It boasts three songs that have yet to make it to an AOD studio album. The unreleased tracks include the extended, almost grandiose "Songbeard," as well as the sunny, 70s country pop of "Long Dead" and the decidedly jaunty "Feline Disguise." The band also deftly steps outside of their catalog with a nod to the Beatles in "Lady Madonna"
    Found Sound comes off as a focused portrait (think of the audio version of Ansel Adams) of a band and their landscape . "It's for the diehards" says Genauer. "We proved on our last record that we can write and record well crafted songs – people get that. It was nice to capture and memorialize a rippin' live performance for ourselves and our fans."
    Anyone using Found Sound to speculate about the direction of the bands next studio record will be left without a compass. "We'll more than likely take another flip flop approach for the next one," says Genauer, laughing. "I'm hoping to try an acoustic-based record. Or maybe a collection of Tibetan throat songs and vegetarian spoken word… "
    Venue Information:
    The Capitol Theatre
    149 Westchester Avenue
    Port Chester, NY, 10573
    http://thecapitoltheatre.com/