A Benefit for HeadCount
The Roots / Bob Weir
Fri, September 7, 2012
Doors: 6:30 pm / Show: 8:00 pm
The Capitol Theatre
Port Chester, NY
$95.00 / $65.00
This event is 18 and over
Followed by DJ Questlove’s “Cap Train” Dance Party
This event will have a general admission standing room only floor and a reserved seated Loge and Balcony. Reserved Loge and Balcony tickets will NOT have access to the general admission floor.
The Roots' focus on live music began back in 1987 when rapper Black Thought (Tariq Trotter) and drummer ?uestlove (Ahmir Khalib Thompson) became friends at the Philadelphia High School for Creative Performing Arts. Playing around school, on the sidewalk, and later at talent shows (with ?uestlove's drum kit backing Black Thought's rhymes), the pair began to earn money and hooked up with bassist Hub (Leon Hubbard) and rapper Malik B. Moving from the street to local clubs, the Roots became a highly tipped underground act around Philadelphia and New York. When they were invited to represent stateside hip-hop at a concert in Germany, the Roots recorded an album to sell at shows; the result, Organix, was released in 1993 on Remedy Records. With a music industry buzz surrounding their activities, the Roots entertained offers from several labels before signing with DGC that same year.
The Roots' first major-label album, Do You Want More?!!!??!, was released in January 1995; forsaking usual hip-hop protocol, the album was produced without any samples or previously recorded material. It peaked just outside the Top 100, but was mostly ignored by fans of hip-hop. Instead, Do You Want More?!!!??! made more tracks in alternative circles, partly due to the Roots playing the second stage at Lollapalooza that summer. The band also journeyed to the Montreux Jazz Festival in Switzerland. Two of the guests on the album who had toured around with the band, human beatbox Rahzel the Godfather of Noyze -- previously a performer with Grandmaster Flash and LL Cool J -- and Scott Storch (later Kamal), became permanent members of the group.
Early in 1996, the Roots released Clones, the trailer single for their second album. It hit the rap Top Five, and created a good buzz for the album. The following September, Illadelph Halflife appeared and made number 21 on the album charts. Much like its predecessor, though, the Roots' second LP was a difficult listen. It made several very small concessions to mainstream rap -- the bandmembers sampled material that they had recorded earlier at jam sessions -- but failed to make a hit of their unique sound. The Roots' third album, 1999's Things Fall Apart, was easily their biggest critical and commercial success; The Roots Come Alive followed later that year.
The long-awaited Phrenology was released in late November 2002 amid rumors of the Roots losing interest in their label arrangements with MCA. In 2004, the band remedied the situation by creating the Okayplayer company. Named after their website, Okayplayer included a record label and a production/promotion company. The same year, the band held a series of jam sessions to give their next album a looser feel. The results were edited down to ten tracks and released as The Tipping Point in July of 2004. A 2004 concert from Manhattan's Webster Hall with special guests like Mobb Deep, Young Gunz, and Jean Grae was released in early 2005 as The Roots Present in both CD and DVD formats. Two volumes of the rarities-collecting Home Grown! The Beginner's Guide to Understanding the Roots appeared at the end of the year. A deal with Def Jam fostered three riveting, often grim sets: Game Theory (2006), Rising Down (2008), and How I Got Over (2010). Through 2009 and 2010, the Roots expanded their reach as the house band on Late Night with Jimmy Fallon. They also recorded a 2010-issued album with John Legend, Wake Up!, which featured covers of socially relevant songs like Harold Melvin & the Blue Notes' "Wake Up Everybody" and Donny Hathaway's "Little Ghetto Boy." - John Bush, AllMusicGuide
With a touring history that has made him one of the most traveled road musicians of all time and a restless music personality that has kept him occupied for over 50 years, Weir knows a thing or two about staying fresh and living in the moment. Although best known as one of the founding members of the Grateful Dead, adding Dead staples such as “Truckin’,” “Sugar Magnolia,” and “Cassidy” to the band’s catalog, Weir obtained a long and affluent music career that has allowed him to do what he loves and share it with others for nearly his entire life.
Born in 1947, Weir was adopted by a wealthy California engineer. As a teen, he secured his spot as one of the youngest members of the burgeoning folk scene that centered on a Palo Alto club called the Tangent—home to such future rock legends as Jerry Garcia, Jefferson Airplane guitarist Jorma Kaukonen and Janis Joplin. In 1964, at the age of 17, Weir spent the majority of his time at a Palo Alto music store where Garcia taught guitar lessons. It wasn’t long before Weir and Garcia, along with Ron “Pigpen” McKernan, formed a blues and folk outfit. Originally called Mother McCree’s Uptown Jug Champions, the band was later renamed The Warlocks—adding Phil Lesh and Bill Kreutzman to the lineup—and eventually came to be known as the Grateful Dead.
Weir’s odd rhythm style developed as he played between the sweet articulated lead of Garcia and the avant-garde bass lines of Lesh. His songwriting developed as well, taking off particularly in the 1970s when he crossed paths with former pal John Perry Barlow. The two began producing songs in Weir’s own distinct style, spurring a songwriting partnership that would last for years to come.
Even with the Dead playing close to 100 shows a year, Weir needed other musical outlets. 1972 brought the release of his first solo album, Ace, on which the rest of the Dead backed him. Throughout the rest of the 1970s Weir toured and recorded with a number of different groups, the first of which was Kingfish. After releasing an album with the band in 1976, Weir began a solo project with producer Keith Olsen called Heaven Help the Fool. A brief tour to support the album resulted in collaborations with various session players, including Brent Mydland (who would join the Dead in 1979), Bobby Cochran, Alphonso Johnson and Billy Cobham. Weir also briefly toured with a group as Bobby and the Midnites, producing two albums.
Throughout the late 1980s and during the first half of the 1990s, the Dead remained Weir’s primary gig. Touring incessantly while all the while building up a community of “Deadheads,” the band finally found commercial success with their 1987 album, In the Dark. When Garcia died in 1995, Weir had just recently formed RatDog with Rob Wasserman, a bassist he had been playing duo shows with since the late 1980s. After Garcia’s death, former Primus drummer Jay Lane and ex-Kingfish harmonica/guitar player Matthew Kelly were added into the mix. With a revolving lineup, the group toured relentlessly, building a name for themselves while performing a mix of new Weir compositions and older, reworked Dead songs.
In 1998, Weir reunited with several former Dead bandmates to tour as The Other Ones, releasing a live album in 1999 and hitting the road again in 2000. The same year, RatDog released their first album, Evening Moods. In 2009, original Grateful Dead members Weir, Lesh, Kreutzmann and Mickey Hart teamed up with guitarist Warren Haynes and RatDog keyboardist Chimenti to tour as the Dead. The results, however, were erratic, leaving Weir feeling like the road trip was more work than fun and Lesh saying the music didn’t seem to be moving forward. Besides stirring up some commotion, the ’09 Dead tour reminded Weir and Lesh of the chemistry the two had as bandmates. This led to the creation of Furthur—arguably one of the most successful Dead projects Weir has participated in to date.
Currently, Weir is married to the former Natascha Muenter, with whom he has two young daughters, Monet and Chloe. While not consumed by music, Weir spends a great deal of time as a social activist. He has done work as an environmental activist with several organizations, such as Greenpeace, and currently serves on the Board of Advisors for theRainforest Action Network and for Seva Foundation. He works with both the Rex Foundation, an organization started by the Dead in 1984, and the Furthur Foundation. Most recently, Weir is on the Board of Directors for Headcount, a nonprofit that registers voters and inspires participation in democracy through the power of music.
A long, strange, very creative trip—and not remotely over.
The Capitol Theatre
149 Westchester Avenue
Port Chester, NY, 10573